The virtuoso pianist and composer Antonio Ruiz Pipó was born in Tagged: Antonio Ruiz Pipo, classical, Drop D, guitar pro, midi, sheet music. I wonder if anyone could confirm or suggest the best (pima) fingering for the third measure of this piece? Specifically the G of the melody in the. Results for Estancias Ruiz-Pipo (not all results may be relevant). Submitted by Anonymous (not verified) on See also. Estancias: guitar.

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Estancias: guitar

But, no matter what fingering you use–and this is the most important thing with this particular piece–it will take a lot of slow practice and a lot of patience to bring it up to speed. December Learn how and when to remove this template message. From Wikipedia, the free encyclopedia. If you’re new here, you may want to subscribe to my RSS feed.

Retrieved from ” https: Our website is made possible by displaying online advertisements to our visitors. His music is consistently tonal, his treatment and harmonization of his thematic material often deceptively simple-sounding is sophisticated, and he revels in sharp contrasts of mood and colour. The clincher was simply playing the melody line on its own and at tempo, with both options.

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I do also believe that you can bring the melodic line out better with the m finger, as suggested, because you can bring a little more torque to bear on it naturally to my ears, the melodic line sounds a bit one-dimensional when I use the a finger.

Cancion Y Danza No 1 by Antonio Ruiz Pipo – Classclef

He partnered with his longtime friend the violinist Serge Blanc in duos, trios, and quartets with piano with whom he toured within France, Spain and many other countries. I pluck the “G” between the A and F with my A finger because I find it more natural, in a sense that “G” is so short followed by “F ” playing both with “M” is too much for me at tempo.

Specifically the G of the melody in the third measure that skips between A and F. He died in Paris, aged Please consider supporting us by disabling your ad blocker on our website. JavaScript is required to post comments.

Unsourced material may be challenged and removed. This article needs additional citations for verification. This page was last edited on 17 Novemberat Please help improve this article by adding citations to reliable sources. I was keen to learn fingering that I could take up to speed. What’s your Favorite Style? I will say this, however: Discussions relating to the classical guitar which don’t fit elsewhere.

In his youth he played the guitar a little, and this provided him with a working knowledge of the instrument, for which he wrote numerous works. His music is consistently tonal, his treatment and harmonization of his thematic material often deceptively simple-sounding is abtonio, and he revels in sharp contrasts of mood and color.

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He studied the piano with Alicia de Larrocha and composition with Salvador Bacarisse and others. I think that you will agree that you will be able to finesse and shape the melodic line a little bit more if you use the m finger. Antonio Ruiz PipoclassicalDrop Dfuitar promidisheet musictablature.

This article about a Spanish composer is a stub.

On the side note, when I originally bought the score it was a photo copy of a hand written score. Your email address will not be published. Personally, I think i-a would perhaps work just as well.

CANCION Y DANZA NO 1 INTERACTIVE TAB by Antonio Ruiz Pipo @

Leave a Reply Cancel reply Your email address will not be published. So, some food for thought. He studied the piano with Alicia de Larrocha and composition with Salvador Bacarisse and others. Yepes’ right hand fingerings do not seem intuitive, which leads to the conclusion that using an i-a combination would be easier and better.